
Welcome to my reality, my attempt to make sense of life and the human condition through artistic expression. My blog is primarily about my fibre art, which reflects my feelings, experiences, and thoughts. Inevitably, mental turmoil comes into it, as it informs much of my work.
See this post for the process of making this. On top is a row of fabric beads made by wrapping and stitching scraps together into a sphere about 2-3cm in diameter and then attaching seed beads individually.
I feel as if my life is in tatters. My depression is worse than before I went into hospital last year and I'm struggling to cope with things I KNOW I have found very easy before. I feel like I want to keep excusing myself and saying "but I'm not usually like this, I'm usually more together..."
I didn't think I was going to be able to get it together this year, but I felt so sad to let the chance slip by, that I managed to make an effort after all - I've entered Innovative Threads 2008. It's a wonderful annual South African Fibre Art exhibition (when I first heard of it and saw some of the works I would never in my wildest dreams have thought I could ever be part of it) and this year Tonya has taken it back to Cape Town to Margie Garratt's gorgeous exhibition space, Nova Constantia Cellars. Here is a review from the 2006 exhibition (I wasn't in it) held there.
My entry is called "Viral Load". It is a free-hanging work and represents a model of the Human Immunodeficiency Virus. The little dolls inside are (hopefully!) recognisable as derived from Edvard Munch's "Scream".
There is a mirror inside at the back, so you see your own reflection when you peer inside.
I am very reluctant to explain this work as I really want each person to make their own interpretation. It can be interpreted in several ways and I don't want to impose anything and risk stunting how you see it. The HIV/AIDS topic is a hot and highly relevant one in South Africa and I just want to contribute to the debate...
Pick up some scraps and start winding the thread around them to make a sausage. Keep going, wrapping the thread around the scraps as much as is needed to hold them together. Do this until the sausage is about a half to one metre long (longer than that becomes really unwieldy to handle.)
And you'll have a handful of sausage, or "wors" as it's called here in SA.
I'm quite enthralled by the number of colours you can find on soft drink cans. This is a *small* selection! I could get sucked into trying to make something with the fronts instead of the backs...
A couple of weeks ago, I made this padfolio, from the Free Projects on Fibre and Stitch, by Sue Bleiweiss. It has an exam pad inside, with some pockets for pens etc. The biggest compliment came from my younger daughter who asked if she could borrow it and take it to school with her! High praise indeed.
Bought this wonderful book a few weeks ago. It shows several techniques, and I've been trying them out. I did a screenprinting course many years ago and loved what I could do with it, but I'm too impatient now to sit and paint the screen with shellac, and I don't have the equipment and emulsion to use the photographic technique. So when I saw this, I was delighted!
You cut out the bottom of a polystyrene tray (such as veges are sometimes packed in)
The article on flour resist dyeing in the latest Quilting Arts is called "It's irresistable!" I had intended to leave the paint to cure for longer (since it's covered in flour, you can't really heat-set it, so you have to let time do the work) but yesterday my curiosity got the better of me and I couldn't resist throwing caution to the winds and washing out some of the flour, at the risk of losing the paint. (I didn't lose the paint.)
Now I wish I hadn't done it on a white background! I think I'll overpaint it with a transparent lighter colour, to colour the background, without losing the etching-like scratches. I have another piece drying at the moment, which I had previously dyed and have now overdyed.
At last I have managed to take some half-decent pictures of the metalwork hanging. (I only posted detail shots in my previous post as the full shots were blurred.) Here's the full view.
I've cut up several more cans and am planning more in this vein. Must try and find a way of doing the embossing, that isn't so hard on the hands.
I'm still making fabric beads ad infinitum, but thought I'd post these pictures of a journal that I made after I had seen the journals of Sue Bleiweiss.
I screenprinted this fabric long ago when I took a screenprinting class. The design is partly from a serviette and partly my own made-up doodles. I backed it with some batting and quilted it with some silver thread.
I used satin for the inside, but wouldn't use it again - too shiny and slippery - I would have preferred a cotton lining. But now I know. I sewed in 3 signatures of white and other coloured papers. I used old laminated posters (of which there are always plenty in an academic environment) as the stiffening, as I do not access to Peltex (which I think is what Sue uses). It worked fairly well, although it could be stiffer. But all in all, I'm pretty happy, for a first journal. Thanks to Sue Bleiweiss for inspiration!
Ahhhhh, another madness to get obsessive about. Fabric beads. These are just a few of the beads I've finished in the last few days. They are really addictive. Can't wait to begin using them in something - it will have to be nice and three-dimensional.
They're intriguing little things and I keep being drawn to pick one up and look at it closer. Ah well, there are worse things to be addicted to. That's my story and I'm sticking to it.
Reality is never absolute, and each person’s interpretation of reality is unique, and equally valid. When one’s reality is that of a ‘different drum’, not shared by many, one can feel isolated and alienated in the world, and withdraw, feeling not-understood. I am awed by art’s power to bridge this divide, and to communicate, connect and bring understanding where previously there was separation and alienation; where we were ships passing in the night.
If my work strikes a chord with another person, I feel heard, and it is my fervent wish that the reality of the viewer is likewise validated.